To ensure the Ice Light provides evenly distributed light, it features a built-in diffuser with a matte-black casing at the rear of the tube to prevent any unwanted light being traced during long exposures. When you’re working in areas where there’s a mains supply close by, there’s nothing to prevent you using it for longer periods while it’s plugged in to the charger, and for peace of mind, the daylight-balanced LEDs are tested and rated for 50,000 hours of use, which equates to a life expectancy of more than 17 years if it were to be used eight hours every day.įor this shot, one Ice Light was used to paint the wheels of the steam locomotive, while another was set up to illuminate the cab’s controls Design and handling If an hour’s battery life sounds a little short, there’s the option to drop in spare batteries (£70) as and when required.
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To save the hassle of trying to find a mains socket in a remote location and run out endless extension leads, it’s powered by a removable lithium-ion battery that provides enough stamina for an hour of constant, flicker-free light when it’s set to full power.
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Unlike large and bulky LED panels that can be unwieldy to transport and difficult to set up in situ, the Ice Light 2 squeezes 1740 lumens of daylight-balanced (5500K) light into a compact and portable cylindrical housing. One such product that enables you to do this is Westcott’s Ice Light 2. You’re often better off using an LED panel to create a large pool of evenly distributed light across a wide area. The trouble with torches is that they usually create a spotlight rather than a nicely diffused spill of light. If you fancy illuminating a large-scale subject, you might think that a torch with a high power output might be best however, one problem you may encounter is that the beam of light is too directional. Website: The light source you choose to illuminate your subject during the hours of darkness is completely up to you, and it all depends on the type of effect you’re trying to create.
Westcott Ice Light 2 Westcott Ice Light 2 at a glance:
If you’re after some inspiration to get out with your camera under the cover of darkness, want to explore its true potential, and create some spectacular imagery to be proud of, you’ll be glad to know you’re in the right place. To tie in with this week’s topic of light painting, we’ve got our hands on three different light sources to give you an insight into how they work, why you might want to consider them and the type of effects you can expect from using them. Today’s era of LED light panels have been a game changer in the way we illuminate our subjects and paint with light, not only in terms of their high power output, but also in their energy efficiency. Some of these have been specially made with photography in mind, while others have been modified or adapted for the purpose of photography to create striking imagery and mesmerising results. In the past decade, we’ve seen some intriguing lighting devices enter the market. Light painting has advanced a long way since then, and today we find ourselves living in a world where there’s no shortage of light sources available to illuminate subjects. Some of the best known include Man Ray, Gjon Mili and Henri Matisse, all of whom experimented with light and long exposures in various ways between 19. Over the past 125 years or so, we’ve seen many famous photographers try their hand at painting with light.
Little did he know at the time, this groundbreaking discovery of the way light is recorded as it moves through the frame would turn into one of the most popular techniques ever attempted by photographers. In 1889, artist Georges Demenÿ created the first known light-painting photograph, ‘Pathological Walk from in Front,’ by securing incandescent bulbs to his assistants’ clothing before asking them to move in front of a camera during a long exposure.
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